For Vanessa Moltzen, the very un-ladylike genres of western and horror have combined in Michael Du-Shane's Bullets for The Dead to provide a leading lady role she can sink her teeth into (Click here).
SUFF 2016: The 10th anniversary incarnation of Sydney's most out-there film event offers a typically eclectic mix of politically-charged, culturally-subversive and downright weird international and local film visions (Click here)
MIFF 2016: A yearning to reconnect with the spiritual essence of Thailand is central to Pimpaka Towira's return to feature film narrative in The Island Funeral, starring the wondrous Heen Sasithorn (Click here).
MIFF 2016: An expat Aussie filmmaker traverses the globe to uncover his heritage and define what drives his artistry in Trevor Graham's Monsieur Mayonnaise, which had its World Premiere overnight at MIFF 2016. (Click here)
The trailers that premiered at the San Diego Comic-Con this week displayed all the might of the modern movie marketing machine. But did they impact the fanboy crowds and web denizens as the studios would have hoped? (Click here)
Bring your love of movies (and a great wad of cash) and you'll have the time of your life at the upcoming Fitzroy Film Fair (Click here).
CANNES 2016: Japanese arthouse auteur Kôji Fukada discusses the crumbling family dynamic in Harmonium, a dramatic tour de force that earned the director Un Certain Regard Jury honours at the 2016 festival (Click here).
Director Paul Feig and stars Kristen Wiig and Melissa McCarthy take on an iconic bigscreen comedy in their girl-power reboot of Ivan Reitman's beloved 1984 hit, Ghostbusters (Click here)
Counterpointing the often challenging slate offered by Perth's Revelation Film Festival will be a celebratory sidebar honouring the legacy of Muppets creator, the late Jim Henson (Click here)
Aaron Biebert's scathing account of how Big Tobacco bullied the e-cigarette , or 'vaping', sub-industry into submission is teeth-grinding cinema of the highest calibre (Click here)
CANNES 2016: Firmly establishing his place amongst the leading genre filmmakers in the world, Anurag Kashyap returned to The Croisette with Raman Raghav 2.0, his reworking of the story of India's most notorious serial killer (Click here).