REVIEWS / UNCHARTED

Promising shareholders a slice of that vidgamer's pocket money, Sony Pictures have adapted Uncharted with their eye firmly on the bottom-line; fan expectations, be damned (Click here)
Promising shareholders a slice of that vidgamer's pocket money, Sony Pictures have adapted Uncharted with their eye firmly on the bottom-line; fan expectations, be damned (Click here)
Oscar favoured a New Zealander's take on a classic American genre and a French-Canadian's version of a deep space spice mine in this year's nominations (Click here)
The annual acknowledgement of major movie misfires will this year honour an actor who seals the deal before reading the script and Netflix's car crash of a musical (too soon?) (Click here)
Having wowed Hollywood with his hot Sundance property Coming Home in the Dark, James Ashcroft is readying the adaptation of author Max Brooks' Sasquatch epic (Click here)
Kenneth Branagh re-imagines his Belfast upbringing as a cutesy coming-of-age tale with little concern for the turmoil of its time (Click here)
The latest sharksploitation epic plops Alicia Silverstone into a studio tank and CGIs an ocean of alpha predators for her to feign terror towards. Oh dear... (Click here)
Memory, melancholy and the lingering magic of that first true romantic connection are conjured in Glenn Triggs' dialogue-free irresistible rumination on the power of love (Click here)
Cult film favourite Greg Sestero features in a dippy, diverting found-footage story that goes a long way to injecting fresh energy into the genre (Click here)
Steven Spielberg's reimagining of the Sondheim/Bernstein masterpiece is its own glorious triumph (Click here)
Inconceivable that there might be six better films in 2021 than Prisoners of the Ghostland, punk-auteur Sion Sono's collaboration with an unhinged Nicholas Cage, but it be so. Our 20 favourite films of the year, with a handful of stinkers to ponder, too (Click here)
Cannes 2021 Best Actress winner Renate Reinsve reflects upon the decade-long journey to overnight success as the star of Joachim Trier's The Worst Person in the World (Click here)
For the first time in our 10 year history, Screen-Space weighs in on cinema's little brother and offers up our thoughts on the best TV moments of 2021 (Click here)
A landmark Australian horror film gets a well-earned retrospective analysis in Adrian Nugent's The Tunnel: The Other Side of Darkness (Click here)
The Belgian-born/French-language pop princess recounts the privilege and persistence that helped her navigate her unique road to stardom in a new Netflix music documentary (Click here)
Works from Chile, Italy, Peru, U.S., U.K. and Australia (including Best pic winner, Vera de Verdad) were among the honoured, as the Sydney Science Fiction Film Festival emerges as a truly international event (Click here)