Search
3D 5th Wave 70s Culture 80s Cinema A Night of Horror AAustralian film Action Activism Adaptation Adelaide Film Festival Adventure Advocacy African American Age of Adaline AI albanian Alien Abduction alien covenant aliens Alpha alt-right altzheimers amazon Amitabh Bachchan Animal Animation anime anthology Anti-vaxx Ari Gold Art Asia Pacific Screen Awards Asian Cinema Australian film AV Industry Avengers Bad Robot BDSM Beach Boys Berlinale BFG Bianca Biasi Big Hero 6 Biography Biopic Blade Runner Blake Lively B-Movies Bollywood Breast Cancer Brian Wilson Brisbane Bruce Willis Camille Keenan Canadian Cancer candyman Cannes cannibalism Cannon Films Cesars CGI Chapman To Character Actors Charlie Hunnam Charlize Theron Chemsex China Lion Chinese Chloe Grace Moretz Chris Hemsworth Chris Pratt Christchurch christian cinema christmas Christopher Nolan Classic Cinema Clint Eastwood Close Encounters Cloverfield Comedy Coming-of-Age Conor McGregor Conspiracy Controversy Crowd-sourced Cult Cure Dakota Johnson Dance Academy Dardennes Brothers darth vader Debut Deepika Padukone Depression Disaster Movies Disney Diversity Documentary doomsday Dr Moreau drama Dunkirk Dustin Clare Dystopic EL James eli roth Elizabeth Banks Entourage Environmental Epic Erotic Cinema Extra-terrestrial Extreme Sports faith-based Family Film Fantasy Father Daughter Feminism Fifty Shades of Grey Film Film Festival Foreign found footage French Cinema Friendship Fusion Technology Gareth Edwards Gay Cinema Ghostbusters Ghosts Golan Globus Gothic Graphic Novel green inferno Guardians of the Galaxy Guillermo del Toro Gun Control Hacker Hailee Steinfeld Han Solo Happiness Harrison Ford Harry Dean Stanton Hasbro Haunted house Hhorror Himalaya Hitchcock Hollywood
Friday
Apr132018

CANNES 2018 LINE-UP ADDRESSES SHIFTS IN FILM FESTIVAL LANDSCAPE

Festival Director Thierry Frémaux faced some serious challenges and undertook some bold decision-making ahead of yesterday’s announcement at a press conference in Paris of the official selection of films to screen at the 71st Cannes International Festival du Film. (Pictured, below; Frémaux, left, and festival president Pierre Lescure announce the selection.)

After pressure from the French exhibition sector, no Netflix productions would be deemed eligible in 2018 (shutting out Alfonso Cuaron’s Roma, Paul Greengrass' Norway and the restored version of Orson Welles’ The Other Side of The Wind); the axing of the traditional early morning press screenings, which allowed critics to pen their reviews and have them ready for publication in line with the film’s evening premiere; and, in a move met with disgust by self-absorbed film types globally, red-carpet selfies are outlawed from this year forward.

So has Frémaux, who joined the organizing committee in 2001 as artistic director before his appointment as festival director in 2004, continued in this statement-making frame-of-mind with his 2018 programme? Yeah, kind of. Despite being a longtime advocate for women filmmakers (he appointed the first female Jury President, Jane Campion, in 2013), he was not swayed by the current socio-political climate, anointing only three films with women directors in competition slots. Several Cannes alumni that most pundits expected to feature were no-shows,, including Claire Denis (in post on her 28th film, High Life) , Terence Malick (prepping his WWII drama, Radegund), Mike Leigh (readying Peterloo), Lars von Trier (the highly-anticipated serial killer thriller, The House That Jack Built) and Xavier Dolan (keen to find favour again with The Death and Life of John F. Donovan). And Frémaux has implemented a ‘World Premiere Only’ policy, effectively shutting out films that had premiered at Berlin, Venice or Sundance (hence very few American films will be competing for this year’s Palme d’Or).

The 71st Festival de Cannes will run May 8-19. Below are the full line-up of titles announced last night; films to screen in Directors’ Fortnight and Critics’ Week programs, which run concurrenty with the strands below, and the coveted Closing Night attraction will be announced in late April (pictured, above, clockwise; Under the Silver Lake, Solo, Shoplifters, Everyone Knows)

In Competition
Everybody Knows (Dir: Asghar Farhadi) OPENING NIGHT
At War (Dir: Stéphane Brizé)
Dogman (Dir: Matteo Garrone)
Le Livre d’Image (Dir: Jean-Luc Godard)
Asako I & II (Dir: Ryusuke Hamaguchi)
Sorry Angel (Dir: Christophe Honoré)
Girls of the Sun (Dir: Eva Husson)
Ash Is Purest White (Dir: Jia Zhang-Ke)
Shoplifters (Dir: Hirokazu Kore-eda)
Capernaum (Dir: Nadine Labaki)
Burning (Dir: Lee Chang-Dong)
BlacKkKlansman (Dir: Spike Lee)
Under the Silver Lake (Dir: David Robert Mitchell)
Three Faces (Dir: Jafar Panahi)
Cold War (Dir: Pawel Pawlikowski)
Lazzaro Felice (Dir: Alice Rohrwacher)
Yomeddine (Dir: AB Shawky)
Leto (L’Été) (Dir: Kirill Serebrennikov)

Un Certain Regard
Angel Face (Dir: Vanessa Filho)
Border (Dir: Ali Abbasi)
El Angel (Dir: Luis Ortega)
Euphoria (Dir: Valeria Golino)
Friend (Dir: Wanuri Kahiu)
The Gentle Indifference of the World (Dir: Adilkhan Yerzhanov)
Girl (Dir: Lukas Dhont)
The Harvesters (Dir: Etienne Kallos)
In My Room (Dir: Ulrich Köhler)
Little Tickles (Dir: Andréa Bescond & Eric Métayer)
My Favorite Fabric (Dir: Gaya Jiji)
On Your Knees, Guys (Sextape) (Dir: Antoine Desrosières)
Sofia (Dir: Meyem Benm’Barek)

Out of Competition
Solo: A Star Wars Story (Dir: Ron Howard)
Le Grand Bain (Dir: Gilles Lellouche)
Little Tickles (Dir: Andréa Bescond & Eric Métayer)
Long Day’s Journey Into Night (Dir: Bi Gan)

Midnight Screenings
Arctic (Dir: Joe Penna)
The Spy Gone North (Dir: Yoon Jong-Bing)

Special Screenings
10 Years in Thailand (Dir: Aditya Assarat, Wisit Sasanatieng, Chulayarnon Sriphol & Apichatpong Weerasethakul)
The State Against Mandela and the Others (Dir: Nicolas Champeaux & Gilles Porte)
O Grande Circo Mistico (Dir: Carlo Diegues)
Dead Souls (Dir: Wang Bing)
To the Four Winds (Dir: Michel Toesca)
La Traversée (Dir: Romain Goupil)
Pope Francis: A Man of His Word (Dir: Wim Wenders).

Main photograph: Stephane de Sakutin/AFP/Getty Images

PrintView Printer Friendly Version

EmailEmail Article to Friend

Reader Comments

There are no comments for this journal entry. To create a new comment, use the form below.

PostPost a New Comment

Enter your information below to add a new comment.

My response is on my own website »
Author Email (optional):
Author URL (optional):
Post:
 
Some HTML allowed: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <code> <em> <i> <strike> <strong>
« 10 MUST-SEE MOVIES FROM THE 2018 SYDNEY FILM FESTIVAL PROGRAM | Main | AUSSIE CINEMAS FATTEN UP ON EASTER MOVIE TREATS »