DARK NIGHTS FILM FEST ANNOUNCES INAUGURAL JURY MEMBERS

Australia’s new horror and dark genre film event, Dark Nights Film Fest has revealed the esteemed jurors onboard for its first three-day event, to be held at the iconic Randwick Ritz cinema from October 11-13.

The festival is calling for submissions from emerging and established Australian and international filmmakers and screenwriters to help the organisers celebrate the best new independent visions from the more tenebrous corners of cinema.

Feature film judges include rising Latino filmmaker Gigi Saul Guerrero, whose short El Gigante led to a first-look deal with Hollywood horror studio Blumhouse; Australian director Andrew Traucki (pictured, right), whose creature features Black Water and The Reef have garnered critical and commercial success globally; and, prolific U.S. producer and documentarian Sylvia Caminer, whose debut narrative feature Follow Her won Best Film honours at the prestigious Fantasporto festival in 2022.

Short film judges are Natalie Richards, the founder and director of Australian youth horror festival Bloodfest; horror expert and genre academic Dr. Tara Lomax; and movie freak-geek, cinephile and podcaster, Adam Lovett.

Tackling the unproduced screenplays are script guru Anthony Egan, whose work includes such genre pics as Needle, Crush, Wanted, The Devil’s Work, Mortal Fools, and Lost Soul: The Doomed Journey of Richard Stanley’s Island of Dr. Moreau;, author and commentator Emma Westwood, co-host on Triple R's weekly Plato's Cave radio show and author of books that examine David Cronenberg's The Fly, John Frankenheimer's Seconds and James Whale’s Bride of Frankenstein; and, Dr. Adam Daniel, a filmmaker and Associate Lecturer in Communication at Western Sydney University.

The winning feature film and short film screenwriters in the unproduced screenplay competition will be given the opportunity to be mentored by Robbie Miles, an internationally experienced producer and development executive, and an AFTRS alumnus. 

“We want audiences to immerse themselves in an atmosphere that redefines and pushes boundaries and leads them into new, unknown or lesser-known territory. Not just visceral horror, but psychological thrills, dark fantasy, cosmic dread, neo-noir, other kinds of dark genre vibes,” states Dark Nights’ festival director Bryn Tilly (pictured, left).

THE WELL

Stars Lauren LaVera, Claudia Gerini, Linda Zampaglione, Yassine Fadel, Gianluigi Galvani, Melanie Gaydos, Jonathan Dylan King and Courage Osabohine.
Writers: Federico Zampaglione and Stefano Masi.
Director: Federico Zampaglione

Official Selection - FANTASPORTO 2024; FRIGHTFEST GLASGOW; SITGES; TRIESTE SCIENCE+FICTION FILM FESTIVAL.

Rating: ★ ★ ★ ½

 The structure is lean but the frights are plentiful in The Well, a gruesome, gleeful throwback to the Italian film sector’s heyday as the prime purveyor of Europe’s grisliest B-pics.

Unburdened by real-world logic but positively oozing imagery straight out of the most vivid nightmares, director Federico Zampaglione’s latest is certainly a polished production. That said, The Well would not have been out of place during the VHS boom, when producers kept dialogue to a monosyllabic minimum and revved up the splatter effects to appease gorehounds (and sales agents) in the vast foreign markets.

With co-writer Stefano Masi, the always reliable Zampaglione (Shadow, 2009; Morrison, 2021) wastes no time setting up the premise. In a slick first act, we meet our heroine, Lisa (blossoming scream queen, Lauren LaVera; pictured, above), an art restoration expert bound for an Italian castle; camping backpackers Tony (Gianluigi Galvani), Madison (Courage Osabohine) and Tracy (Taylor Zaudtke), each destined for various moments of unpleasantness; and, a two-tiered narrative that balances the unfolding mystery of a cursed artwork with the bloody resurrection of an horrific demon and his minions.

Overseeing the restoration and with one foot in the supernatural otherworld is the icy blonde castle keeper Emma, played with scenery-chewing flair by the terrific Claudia Gerini, reteaming with Zampaglione after starring roles in A Dream House Nightmare (2007) and Tulpa: Demon of Desire (2012). As Emma’s teenage daughter Giulia, a mysterious presence who befriends Lisa and clues her into the details of what’s going on in the building’s depths, is the compelling Linda Zampaglione - daughter of the director and Gerini.

As Lisa polishes off hardened layers on the (frankly, hideous) painting, the monstrous images beneath have fresh life breathed into them; soon, Lisa is tormented by visions from the canvas as she sleeps. Most visually arresting amongst them is ‘Dorka’, played by model/actress Melanie Gaydos (pictured, above), whose uniquely beautiful features are a result of a genetic condition called ectodermal dysplasia. 

Equally striking, although infinitely more repellent, is Lorenzo Renzi as a drooling, grunting sadistic cell guard, grease-painted in clown makeup (echoing ‘Canio’, the murderous clown from the opera Pagliacci), who butchers his prisoners in imaginatively disgusting ways to appease the grotesque creature in the well (Stefano Martinelli).

The Well isn’t deep, but committed turns from all involved both behind and in front of the camera ensures it effectively conjures the psychological dread and harrowing horrors for which the best Italian shockers are renowned.

PREVIEW: 2023 A NIGHT OF HORROR INTERNATIONAL FILM FESTIVAL

Australia’s longest running showcase of horror and dark genre cinema, A Night of Horror International Film Festival (ANOH) is back for its 15th year, with a typically frightening program. From 28th September to 1st October, the Festival will take over Dendy Cinemas Newtown, screening the very best in freaky, macabre and spine-chilling films from around the globe.

ANOH will present a total of ten features and 31 short films, hailing from different corners of the world, including Australia, United States, United Kingdom, Spain, Austria, Lithuania, Brazil, Switzerland, France, Denmark, India, and New Zealand.

“The calibre, ingenuity, and range of submissions this year truly surpassed all expectations. We were astounded by the exceptional talent and diversity on display, making the selection process a both challenging and exhilarating journey,” said Festival Director, Bryn Tilly.

“This year’s final line-up has films from all shades of the horror spectrum, and, as one would expect post- pandemic, many of them deal with grief and trauma, each promising to send shivers down your spine, immersing you in delightfully bizarre worlds and blood-curdling nightmares.”

Opening Night Thursday 28 September will see the world premiere of The Devil’s Work, the third instalment in Ursula Dabrowsky’s award-winning Demon Trilogy (Family Demons, Inner Demons). All three films stand alone, yet share similar themes of survival, revenge, and the loss of innocence.

Sydneysider Jack Dignan follows his 2022 ANOH award-winning debut feature After She Died with Puzzle Box, a riveting and deeply unsettling found footage purgatory tackling addiction and psychological trauma. Marie Alice Wolfszahn’s Austrian Mother Superior (pictured, right), winner of Best Film & Best Director at Brooklyn Horror Film Festival 2022, is a unique delve into witchcraft and folk horror.

The Festival’s much-loved signature event, the Australian Shorts Gala, will feature nine of the very best short-film shockers from these shores. The International Shorts Showcase will take place Sunday 1 October, showcasing a selection of the creepiest, freakiest new short films from around the world.

Other features include Sarah Tice’s feature film debut DID I?, a whip-smart, giallo-inspired study of alter personalities and the effects of trauma on the mind, body, and soul; Gareth Carr & David Sullivan’s Saving Grace, winner of Best Horror Feature at Washington DC International Cinema Festival 2023 and Liverpool Indie Awards 2023, a psychological thriller featuring a fierce, compelling performance from rising Aussie star Kirsty McKenzie; and, Nicholas Tomnay’s spellbinding neo-noir thriller What You Wish For, a morality tale roasting greed, told with crisp efficiency, laced with the sharp smack of horror.

Jonas Trukanas’s Pensive (pictured, top), a slasher flick screened in Lithuanian language with English subtitles, tackles social responsibility and identity roles in a very contemporary vein; The Coffee Table by Spanish Director Caye Casa is a pitch-black comedy that balances farce, melodrama, tragedy and absurdism and Winner of Best Film at Tallinn Black Nights Film Festival; and, Chris Cronin’s The Moor presents a creeping tale of guilt that pushes the boundaries of folk horror and found footage format into Lovecraftian territory.

Closing out the festival is Steven John Mihaljevich’s Violett (pictured, right), a surreal exploration of trauma, abject grief, and destructive self-preservation, constructed like a poetic puzzle.

A Night of Horror International Film Festival will run 28th September to 1st October 2023 at Dendy Cinemas, 261-263 King St, Newtown. DETAILS HERE.

MONSTER FEST ADDS NEW DIMENSION FOR HORROR FANS WITH 2023 WEEKENDER LINE-UP

Following the success of last May’s inaugural MONSTER FEST WEEKENDER, the Monster Fest team have announced the return of the three-day mini-festival to Cinema Nova in Melbourne from Friday 7th to Sunday 9th of July.

For the very first-time in Monster Fest history, the program will be completely composed of retrospective films, each one presented in head-spinning 3D, from all-time classics to unsung genre greats, spanning decades of horror cinema. Several films in the line-up will be making their Australian big screen debuts.

Once the celebration wraps in Melbourne, the MONSTER FEST WEEKENDER 3D hits the road to interstate EVENT Cinema venues in Sydney, Brisbane, Adelaide and Perth from Friday 14th to Sunday 16th of July. 

Despite having performed strongly at the U.S. box office, 2013’s TEXAS CHAINSAW was passed over for cinema release in Australia, providing Monster Fest with the opportunity to boast Theatrical Premiere rights on the film’s 10th anniversary. Director John Luessenhop foresaw the star power of Alexandra Daddario (pictured, right) and Scott Eastwood, casting them in early career roles, helping the film to a solid $50million global gross and re-energising the franchise.

In what could arguably be considered to be the last great sequel to 1979’s The Amityville Horror, Monster Fest will present a 40th Anniversary Screening of Richard Fleischer‘s AMITYVILLE 3-D. Along with its practical effects and eye-popping visuals, this installment in the franchise is notable for featuring America’s sweetheart Meg Ryan in an early role.

Director André De Toth’s evergreen classic HOUSE OF WAX (pictured, left) will celebrate its 70th Anniversary at the Weekender screenings. One of the first studio-produced 3D colour features, it stars Vincent Price as the malevolent and memorable Professor Henry Jarrod.

Penned by Todd Farmer (Jason X) and directed by Patrick Lussier (Drive Angry), MY BLOODY VALENTINE is one of the rare remakes that not only stands tall with its predecessor (which suffered terribly under the censor’s knife upon release) but gives you more of what you want, now with epic gore and in glorious 3D.

Lavishly bathed in garish viscera, Andy Warhol‘s FLESH FOR FRANKENSTEIN (pictured, right), written and directed by Paul Morrissey, is an undisputed classic of cult cinema and returns for its 50th Anniversary, restored in 4K and presented in 3D.

Lensed by Gerald Feil, the cinematographer responsible for Friday the 13th part III 3D, the 1984 slasher SILENT MADNESS remains somewhat obscure locally as it suffered distribution woes and ultimately landed direct-to-video in the late-eighties. Monster Fest will present the film for the first-time on Australian cinemas screens, in a 4K restoration and as intended in 3D.

MONSTER FEST WEEKENDER 3D screens July 7-9 at Cinema Nova in Melbourne, then July 14-16 at EVENT Cinemas George Street (NSW), Innaloo (WA), Marion (SA) and Brisbane Myer Centre (Qld). Session and ticket details can be found via the Monster Fest website. 

FEM-FOCUSSED BODY-HORROR PIC GRAFTED LENSING IN NZ

Production has begun in New Zealand on the new horror feature GRAFTED, the first project for the freshly formed horror and genre label (Yet) Another Monster Company. The production represents the directorial feature debut for Sasha Rainbow (pictured, below) and stars Joyena Sun, Jared Turner, Jess Hong, Eden Hart and Sepiutaruth To’a.

Shot across Tāmaki Makaurau – Auckland, the film tells the story of a Chinese student who travels to New Zealand to complete the scientific work of her deceased father, only to find a new way of achieving popularity, one bloody body at a time.

A partnership between Grant Hardie’s ANZ horror distribution specialists Monster Pictures and Phil Hunt's (Yet) Another Distribution Company, (Yet) Another Monster Company incorporates an investment partnership with Head Gear Films with further support from Ginette McDonald and Mark Mitchinson.  (Pictured, right; lead actress Joyena Sun)

 Sasha Rainbow put the industry on notice as director of the short film KAMALI, which was nominated for a BAFTA and long-listed for an Oscar. “When I first read the script, I knew I had to be involved,” said Rainbow. “I am incredibly excited about playing in the body-horror space for such an incredible, surprising, female-lead-project like GRAFTED. I can't wait to unleash it to audiences around the world.” 

GRAFTED is produced by Murray Francis of Propaganda, and Leela Menon and Fraser Brown of FluroBlack and is written by Mia Maramara & Hweiling Ow, and Lee Murray. Monster Pictures previously handled the Australia-New Zealand release for James Ashcroft’s COMING HOME IN THE DARK. (Pictured, left; co-star Jared Turner) 

"We are genuinely thrilled to launch in New Zealand with the announcement of GRAFTED. It is the perfect film for us to be attached to, a completely over-the-top body horror,” says Co-Head of Acquisitions and Development Grant Hardie. “We fully expect that GRAFTED will join an impressive list of world-class modern horror films from New Zealand and make a huge splash on release". 

The film is made with investment from The New Zealand Film Commission, the New Zealand Government’s Screen Production Grant, Traus Holdings, Department of Post and with GAP financing from Head Gear Films. The film will be distributed in New Zealand and Australia by (Yet) Another Monster Company.