Search
3D 5th Wave 80s Cinema A Night of Horror Action Activism Adaptation Adelaide Film Festival Adventure Advocacy African American Age of Adaline AI albanian Alien Abduction alien covenant aliens altzheimers amazon Amitabh Bachchan Animation anime anthology Anti-vaxx Ari Gold Art Asian Cinema Australian film AV Industry Bad Robot BDSM Beach Boys Berlinale BFG Bianca Biasi Big Hero 6 Biography Biopic Blade Runner Blake Lively B-Movies Bollywood Breast Cancer Brian Wilson Brisbane Bruce Willis Camille Keenan Cancer candyman Cannes cannibalism Cannon Films Cesars CGI Chapman To Character Actors Charlie Hunnam Charlize Theron Chemsex China Lion Chloe Grace Moretz Chris Hemsworth Chris Pratt Christchurch christian cinema christmas Christopher Nolan Classic Cinema Close Encounters Cloverfield Comedy Coming-of-Age Conspiracy Controversy Crowd-sourced Cult Cure Dakota Johnson Dance Academy Dardennes Brothers darth vader Debut Deepika Padukone Depression Disaster Movies Disney Diversity Documentary doomsday Dr Moreau drama Dunkirk Dustin Clare Dystopic EL James eli roth Elizabeth Banks Entourage Environmental Epic Erotic Cinema Extra-terrestrial Extreme Sports faith-based Family Film Fantasy Father Daughter Feminism Fifty Shades of Grey Film Film Festival Foreign found footage French Cinema Friendship Fusion Technology Gareth Edwards Gay Cinema Ghostbusters Ghosts Golan Globus Gothic green inferno Guardians of the Galaxy Guillermo del Toro Gun Control Hacker Hailee Steinfeld Han Solo Happiness Harrison Ford Harry Dean Stanton Hasbro Haunted house Hhorror Himalaya Hitchcock Hollywood Holocaust horror Horror Film Housebound Hunger Games Idris Elba IFC Midnight IMAX In Your Eyes Independence Day Independent Indian Film

Entries in Film Awards (2)

Thursday
Dec082016

AACTA KUDOFEST BECOMES 'THE GIBBO AND HOGES SHOW'

The band of brothers who fought to get Hacksaw Ridge made were rewarded with 9 AACTA trophies in at a red carpet industry soiree in Sydney last night. Returning again and again to the podium, artisans and craftsmen on Mel Gibson’s bloody ode to faith and heroism all but shut out the rest of the nominees, with only Simon Stone’s dark drama The Daughter feeling any love in other major categories.

In accepting his Best Director award from Mad max director Dr George Miller, a moved Gibson (“I am so choked up, I can’t even talk”) acknowledged the ongoing support afforded filmmakers by the funding bodies Screen Australia and Screen New South Wales. He also paid service to local below-the-liners, stating, “the calibre (of this cast and crew) is as good as or better than anywhere in the world. I’m not the only one who wants to make films here, because Ridley Scott says exactly the same thing about working here.”

By the end of the night, most of those cast and crew had AACTA awards in their grasp, with the film earning Andrew Garfield the Lead Actor gong (he accepted via a pre-recorded link) and Supporting Actor for Hugo Weaving. Andrew Knight and Robert Schenkkan earned Screenplay honours; DOP Simon Duggan’s immersive battlefield camerawork saw him take the Cinematography nod; the kudo list was rounded out by John Gilbert’s editing, Barry Robinson’s production design and the sound design unit.

AACTA’s in the Female Lead and Supporting categories for The Daughter halted a Hacksaw Ridge clean sweep. In her first feature film role, Odessa Young (pictured, right) earned Best Actress while industry favourite Miranda Otto received her first and long-overdue trophy for her supporting turn. Writer/director Simon Stone secured the Adapted Screenplay honour, having reworked Henrik Ibsen’s play The Wild Duck into a contemporary Australian drama.

The only other honourees were the lovably offbeat coming-of-age comedy Girl Asleep, which earned Best Costume Design for Jonathon Oxlade and the Pacific Island romance Tanna, which took home Best Original Music Score for Antony Partos. Chasing Asylum, a harrowing account of the immigrant experience in Australia, won Best Documentary, with the film’s director Eva Orner on hand to collect.

A highlight of the night was the bestowing of the AACTA Longford Lyell Award upon beloved icon Paul Hogan, an honour that has previously acknowledged the global standing of such talents as Cate Blanchett and Geoffrey Rush. Accepting the trophy in typically laconic style, he cheerfully recognised his entire career has largely been a been based upon the one-hit wonder Crocodile Dundee and its sequels, but as he pointed out to the roar of the audience, “It was a mighty hit.” Other industry accolades went to Isla Fisher, who joined the likes of Naomi Watts, Margot Robbie and Toni Collette as the recipient of the Trailblazer Award, and visual artist and VR innovator Lynette Wallworth, who earned the Byron Kennedy Award.

Thursday
Mar262015

CHINESE INDUSTRY DOMINATES REGIONAL KUDOCAST

After a New Year period that saw Chinese cinema attendance top US figures for the first time in history, the Chinese film industry can claim to be on quite a roll having last night swept the 2015 Asian Film Awards, taking out ten of the fourteen categories. The lavish ceremony is overseen by an organizing committee comprising officials from the Busan, Hong Kong and Tokyo film festivals and was held in the vast Venetian Casino on the resort island of Macau.

Blind Massage (pictured, above), a Nanjing-set drama that follows the bittersweet lives of blind masseurs, took Best Picture honours ahead of Black Coal Thin Ice (China/Hong Kong), Haider (India), Hill of Freedom (South Korea), Ode to My Father (South Korea) and The Light Shines Only There (Japan). Already an awards season heavyweight boasting honours from the Asia Pacific Screen Awards, Taipei's Golden Horse Film Festival and the Berlin Film Festival, the intimate ensemble piece also snared the Best Cinematography trophy for lensman Zeng Jian.

The film’s director, Le You, was again beaten for Best Director honours by Ann Hui, whose helming of the Xiao Hong biopic, The Golden Era, was favoured at the Golden Horse ceremony in November. Other nominees included Tsukamoto Shinya, (Fires on the Plain, Japan], Berlin honoree Lav Diaz (From What Is Before, The Philippines), Vishal Bhardwaj (Haider) and Hong Sang-soo (Hill of Freedom). The Golden Era’s Wang Zhiwen was named Best Supporting Actor, ahead of Jo Jin-ung (A Hard Day, South Korea), Eric Qin (Blind Massage), Chen Jianbin (Paradise in Service, Taiwan) and Ito Hideaki (Wood Job!, Japan).

Black Coal, Thin Ice took home the Best Actor award, with charismatic star Liao Fan topping a strong category that included Kase Ryo (Hill of Freedom), Lau Ching-wan (Overh3ard, Hong Kong/China), Ethan Ruan (Paradise in Service) and Choi Min-shik (Roaring Currents, South Korea) and Sato Takeru (Rurouni Kenshin: The Legend Ends, Japan). Auteur Diao Yi’nan also earned the Best Screenplay honour for his dark procedural thriller.

Other territories represented on the podium were Japan (Best Supporting Actress Ikewaki Chizuru, pictured right, in The Light Shines Only There); India (composer Mikey McCleary for Margarita, With a Straw); and, South Korea, whose Best Actress winner Bae Du-na for A Girl at My Door led in a packed field that included Gong Li, (Coming Home, China), Vicki Zhao, (Dearest, Hong Kong/China), Kalki Koechlin, (Margarita, With a Straw), Miyazawa Rie (Pale Moon, Japan) and pre-event favourite, Tang Wei (The Golden Era). Jiang Wen’s Gone With the Bullets, a grandly-mounted satire of French colonial excess in 1920s Shanghai, topped the trophy tally with three, all for its below-the-line contributions in the fields of Production Design, Costuming and Visual Effects. Gareth Evans rounded out the tech categories with a Best Editing nod for his Indonesian action epic, The Raid 2: Berandal.