VIOLETT
Stars: Georgia Eyers, Angela Punch McGregor, Sam Dudley, Valentina Blagojevic, Simon Lockwood, Mani Shanks, Kingsley Judd, Jay Jay Jegathesan and Suzi Aleqaby.
Writer/Director: Steven J. Mihaljevic
Rating: ★ ★ ★ ★
VIOLETT is the Closing Night feature at The 2023 A Night of Horror International Film Festival. For session details, click here.
Steven J. Mihaljevic displays a true auteur’s vision in his second feature, the dark psychological drama Violett. A grieving mother spirals deeper into her own inner darkness when she employs familiar imagery from her missing daughter’s past to help cope with her misery. But the images she conjures are filtered through her rage and desperation, resulting in a nightmarish modern fairy tale that the Perth filmmaker presents in pitch black shadows, rich primary colours and brilliantly-realised bleakness.
As Sonya, the young mother struggling to define the line between shattered reality and corrosive insanity, Georgia Eyers delivers a star-making performance of achingly tangible anguish. Her face a pall of ashen anxiety, her eyes hollowed by corrosive sadness, Eyers (having worked with her director on his debut feature, The Xrossing) crafts a potent examination of guilt-ridden remorse. The actress has a lock on ‘shattered young woman’ roles at present, with her empathetic performance in Nick Kozakis’ Godless: The Eastfield Exorcism also gaining great notices.
Not unlike how Neil Jordan adapted the ‘Little Red Riding Hood’ story to evoke complex adult themes in his cult classic The Company of Wolves, so too does Mihaljevic borrow from dark fairy tale iconography to portray his take on Sonya’s grief. Most arresting of all his twisted visions is Jay Jay Jegathesan’s street artist monster ‘Victor’, fashioned on Australian kid-TV favourite Mr Squiggle. Also certain to haunt audiences is Simon Lockwood’s hideous The Candy Man, whose finger-food specialty is the stuff of nightmares.
While not quite a ‘Keyser Soze’-size final reel rug-pull, Mihaljevic certainly shows a brazen confidence in how he plays out his narrative, in a move that adds further depth and dimension to his leading lady’s performance. The other key contributors are DOP Shane Piggott, whose emotive use of bold colour and sodden blackness is exquisite, and Australian acting legend Angela Punch McGregor, a towering presence in an all-too-rare big screen role.
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